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Of Statues and Sand a prose poem
by Lian Sidorov
Part I
A man at the edge of the world. Long before Homer, long before Gautama, he stood there and looked: unblinking, his eyes burning with a thousand years of sleeplessness, he held onto this secret vision as if his last breath were inextricably tied to it... Some say he's still there: poised between life and death, holding the universe on the tip of his gaze like a child balancing a crystal ball on the end of his finger. Should he fail... "What does he see?" you ask. No one knows - but there are stories - about this man at the edge of the world: ...Time bends around the fragments that he holds in his hand: he names them, and the air shrieks; he lets them fall, and they fall toward his heart, clear and burning like a golden tear. He stands there, wavering over the abyss opened at his feet: in that darkness within he sees the Object, the curve closing upon itself, hears the pulse of this Form calling out to him from the depths of such an immense impossibility... A woman's eyes... an iron gate... an acorn... He would like to cry - but the eyes that are seeing now do not know the meaning; he would like to laugh, but this heart has no echoes. There's silence, a silence as mute as the dreams of those who are still to be born - and in that silence, closing his eyes, he listens to the world falling out of the darkness, the world transformed into snow falling with a thick rustle all around him - his world sliding slowly, like a hallucination, flake after flake, beyond its own limits, beyond meaning, beyond Time itself... "But what does he have to do with our story?" you ask again, impatiently. Everything and nothing: I will tell you about Memory tonight, my friends - how the mind moves in and out of sleep, how oblivion of what you are creates the egos you take yourselves to be, how the vision you seek is already known to you and yet too powerful to be remembered as such... - yes, I will tell you of beauty so terrible that the soul cannot bear it, and of potentials so great that you sought shelter from them in the realm of Form and its irreversible ruin... I will sing of you, my ocean soul that came to break on a thousand shores which know not of each other, my freedom that longed to taste the weight of fear, and yet whose memory blows ceaselessly across the desolate steppes of my heart. But before we begin, all seated around this fire - cups filled with wine, horses neighing softly in the night's tender cloak, stars shimmering to the edge of the distant horizon - take a good look around you: all that you see now, as you see it, will never cease to exist - for it has indeed been this moment throughout eternity. And though you may not understand it yet, remember this as the story flows on...
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I walked through the back door of a tavern in Venice on the eve of my 30th birthday, after celebrating the laying of the first stone to the foundation of our New City - my crowning achievement as Chief Architect, and the transubstantiation of a dream man has been dreaming for millennia. ...I walked through a door on my way home - and the next time I opened my eyes all that was left to see around me was this Desert. Is that how it began? Or did it all begin much earlier, perhaps even before I noticed the beggar - was it only his manic pursuit which pushed me toward that particular exit, or was my very urge to visit such an ill-reputed place on a night like this a sign that something else was about to give way inside me? All I know is that everything I had ever wished for waited for me to celebrate it at home that night - my loving wife, my two beautiful children, my life's dream become reality - yet leaving the office that afternoon I could not escape the feeling that I was merely following the directions of a script which was not intended for me. This sense of unreality had started to plague me quite a few years back, but under normal circumstances the pressures and obligations of my profession would easily chase it away, dismissing it as a form of fashionable neurosis - a luxury item I simply could not afford. Occasionally, however, this feeling became so powerful that it turned into a physical sickness. Was it only a coincidence that this happened most commonly at times of great anticipation and sensual enjoyment? Was it all merely a sublimated form of guilt, or was some other, yet obscure mechanism, triggered into action in an attempt to prevent me from identifying too closely with that to which I was so ready to abandon myself? A subversive streak had thus gradually emerged into my character over the last few years, much to my family's distress, and quite beyond my control: it seemed as if my success had become a prison, and I would, at times, do everything in my power to undermine the reputation of solid responsibility on which this prison had been founded. I ran away from the self-righteous enterprise of the polished matrons and community-builders as if they had the plague, and sought my refuge among the anonymous tramps who litter our venerable piazzas - bumming a smoke, laughing at their coarse jokes, occasionally sharing with them a bottle of cheap wine, trying to lose myself in their midst - myself, and the oppressive urgency with which I was helping build this world surrounding us... And so it was again that evening, that I came to find myself in the company of a stranger, listening to the tall tales of a gruff old adventurer and breathing in that atmosphere soaked with smoke and alcohol and cheap tobacco - while my wife and friends waited impatiently over trays of champagne and hors-d'oeuvres, in our crystal-filled living room overlooking the Gran' Canal.
Did we strike a bargain? Did I promise anything? It's strange how little I remember of that night - its details so foggy now that sometimes I'm tempted to believe my mind conjured it all up... But the one thing I recall as vividly today as if it just happened, is the spell that his voice weaved around me as he talked - leaning slightly over the table, his eyes gleaming at once with the spark of a thousand heresies, the corner of his mouth tender with irony and defiance as he one by one lay bare the bones of my ambition and, in the space of a few hours, turned the lavish feast of my life's achievements into the gaping, pitch-black mouth of a hunger of which I knew nothing but that it seemed bottomless, and that it laughed at every single answer I held up to it that night.
He spoke of a man - and I saw it then as if my eyes and
breath had become his: I saw that man and his whole life in the blink of an eye,
and the dark roots of the tribe from which he had learnt his fear and longing
together with his name, I saw him smelling the beasts' footprints, fighting
them, bleeding and calling out for his brothers to share his danger and triumph,
I saw him bending down to enter the tent made of hides, awkwardly caressing his
mate, teaching his offspring to use the bow and arrow, then leaving, over and
over, migrating together with his people in search of a better place. I asked him how he knew that man, but instead of answering, he told me he'd not eaten in two days - so the innkeeper was fetched, and minutes later we were both leaning over steaming bowls of stew... He spoke to me of loss... the sensuality of loss. That
self-contained universe, the self-imposed limits of a pain that does not want to
forget the flavor of nostalgia; of redemption that will not accept any more hope
than a night's worth of wine; of cynicism which doesn't wish itself so
invulnerable that it won't feel the pangs of sentimentality; and finally of
desire - of desire that would never, not for an instant, allow itself to forget
its own sordid origins and transcend into love... He told me of a river - a river which flows upstream,
beneath the surface of the earth, and which makes men mad with thirst. Only the
more they drink of it, the thirstier they get - so they keep pursuing it further
and further toward its source, hoping the cooler waters will at last soothe
their aching lips. In time, man and river become one - their purposes no longer
distinguishable from each other. He told me then of a cathedral... a cathedral unlike any other man has ever built... "the most beautiful thing ever conceived by Mind", he said. Yet when I asked him where, and when, and how he came to hear of it, and had he seen it with his own eyes, he became evasive. "Shadows..." I remember him saying. "I have seen - now and then - fragments of it... premonitions." Was he mad? At the time his words made me believe so - or
at least that I was dealing with a well-trained charlatan who knew how to read
the deepest secrets of a man's heart and exploit them for a few pitchers of
wine. The hour was getting late and the vapor of alcohol around us had become
positively nauseating. I stood up, ready to leave, and placed the last handful
of change I had left on the table, asking him to drink his last cup that night
in honor of Venice and its new image, which had been born today across from it,
on the other shore of the lagoon. I made my way through the tables and headed
for the door, when suddenly I heard him shout: "Wait! Wait, I want to pay
you back for tonight!" He sprang out of his chair and thrust his heavy body
into the crowd, trying to make way as he waved after me with one arm - while
with the other elbow spreading a generous number of pokes and nudges. He had
almost reached me when, out of the crowd, an obviously annoyed bear of a man
grabbed him by the collar, turned and punched him in the face. The old man
stumbled backwards a few steps, but remained standing. After a brief hesitation,
he started back toward me - but by now the mocking crowd was closing in on him,
jeering and ready for some free entertainment. Tables were quickly drawn aside,
blocking the main exit toward which the poor victim was now trying to drag
himself. Among the onlookers, smiles soon gave way to whistles and insults, and
those few who tried to jump to his defense were quickly silenced by fists and
broken chairs.
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When did I arrive here? It seems to me that it's been
storming for thousands of years now... When I raise my eyes from the page the
light is yellow and hazed, the sounds of the world are muffled, as if coming
back across vast expanses of time. There is no night, no day, only the the glow
of memory settling over the volumes of this forgotten library, the faint rustle
of dust falling from the lips of History into my ear, and then into eternal
oblivion. This is it - the final echo of all immortal legacies. Do you feel how the air quivers? Almost imperceptibly, just enough to prevent one from falling asleep. It's cold... colder than it's been in a long time. I could try to tell you stories, here things seem to change very slowly, time hardly moves - but we have to be careful with words, for many have been left behind in the great cataclysm, and of the ones still with us, most are just ghosts of their former selves.
I have been here before! Nothing mattered, nothing ever mattered - now I close my
eyes and see so far back and there was never anything real, anything alive other
than this inhuman thirst, no other driving force, no other criterion, no other
conceivable endpoint!... They talked of sacrifice and sanctity and rolled their
eyes behind my back while I grinned my devil's grin and savored the taste of my
own blood, for I knew all along there is nothing but sweet rapture in the
destruction of that for which you do not care anymore. And how could I care, how
could it matter, when all I found around me did nothing but mock and darken that
vision of beauty I had in my heart? Every experience seemed mere repetition,
every emotion seemed vulgar, every expression - trivial, every thought - not
daring enough, never daring enough! I went through life tearing at its fabric
with every turn, gasping for air like a child tearing through its placenta, my
lungs screaming with the promise of a real life that never came. Was it madness?
But it felt as if there was nothing left of this life that I didn't know, that I
hadn't experienced. Nothing left to inspire one to go on living...While 'on the
other side' - there at least one had hope. Impossible to define, like an
ever-collapsing horizon - yet the wind of freedom blew from that direction, and
the radiance of a sunrise unlike any other spilled from under the unapproachable
gates... And what if, moreover, one lifted his eyes upon them, only to realize that this could not be the first time he had found himself in this position? Failed.
Is there such a thing as a universal soul? In this place where silence makes dreams a reality and light carries on the golden haze of ageless, roaming dust clouds, it seems to me that memory is all that is left of the world. I have no name for myself, no desire to return to what has been - only this intoxicating thirst, this fever that keeps me floating above the ever changing landscape of nostalgia... Have I been all that I remember today? Are those my tears falling on the fresh grave, is that my sword ripping into a man's chest, is that my voice crying defiance from the all the dungeons and pyres of history? My own or my brother's - it no longer makes a difference in this place. There is only one man who ever lived - and that man has now come to the end of himself. Or has he?
Part II
Caught in Mara's veils, the whirlwind weaver of worlds - there, you see her, the first girl now shimmers on the horizon, she took her shawl off and cast it over the sky like a curtain of light... now the second one lifts her eyes, and long shadows fall upon the earth in the shapes of clouds and trees; a third begins to sing, a fourth throws her arms in the air and suddenly the wind starts, full of expectations, while others are now surrounding him in a bewitching dance, arching, twisting, and from the whirl of their bodies come scents and lights belonging to seasons such as he has never dreamt of, and their veils get caught by the rocks and stars of the desert, transforming, entwining, superscribing each other, composing in time a dizzying geometry from which he can no longer find his exit, from which in the end he forgets he wanted to find his exit - from which he will not exit until the last hour of his old age, when his eyes will have failed him and the extinguished gaze turned inward, there where his name has been singing for aeons in the solitude of the same night, and the echo of the steps he has yet to make keeps calling from the faint rustle of the dunes.
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Is there a shore?
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And time flows on: between the banks of my river-being that I will never fully understand or recognize, through its hunger, bearer of forms, through the pain of losing them - losing by understanding, losing by renouncing, losing by forever casting off one's limits and that certainty of the world which wraps around our hearts like a shroud - through the nausea and pain of this second labor, of unmaking... for none of these words sounds like your name; none of these histories contain your grave, none of the seconds of this present have yet started to measure your age - you are unborn, yet time is passing, you are here, breathing an invisible life under the devastating beauty of the same sun which will see me die tomorrow afternoon. You who knew how this life should have been lived and understood, you whose soul is more than a weaving of metaphors and mirrors - who are you?!
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Very slowly, one becomes aware of the progressive erosion of the City. Under normal circumstances, the color and bustle that permeate the space of human interactions would seep into the fresh cracks, drape over a fallen brick, arch gracefully to bridge the newly formed gaps of meaning as if a recent change of fashion dictated their necessity... But in a deserted city, the illusions last no longer than the memory of voices and rituals, and as they fade away, its architecture emerges out of the flesh of the dying present like a vision of haunting, superhuman scale, a skeleton of dreams and purpose calcified in their unyielding reach across history. And the man become ghost inside his own body begins to learn, begins to pay attention, to this new language of ghosts. And the silence reveals echoes that in time he will learn to trace, and the darkness blossoms with shadows of barely guessed landscapes that in time he will learn to navigate... There are inner seas of intuition and yearning that solitude seems to awaken - but the moon-licked fossil reflects in all of them still, and he returns each morning to wander its labyrinth of marble and dust...
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"We were blessed with too many teachers, you could say. They came hungry with desire, restless, defiant, contemptuous of all but the Highest and the Unformed. They came to rest but for one night in our humble village of shepherds and stonecutters; and they stayed forever after, to turn it into this: this - a fortress of pure gold and pure thought. They came hungry and restless, but as they gathered 'round the fire that night, they fell in love with the poetry of their own hunger. And so the hunger became thought, and as they learnt each other's name, thought became dogma, and after summer passed, dogma turned into hard stone: the stone of public debate squares, and universities, and palaces, and prisons. They seemed to enjoy building for a while, as we enjoyed watching them build. They created complex rules for thinking and speaking and judging the truth, and we enjoyed seeing the passion of their minds wrestling each other, grasping for Reason, challenging each other to ever greater heights... But then the dry season came, and hunger made them defensive, malicious, competitive... We watched in disbelief, then horror as their ideas became weapons and their sports- a ruthless game of power and survival... Within only a few years, from their temples turned into fortresses, those who had come to us with songs on their lips turned into fierce and fanatical tyrants, ready to destroy anything that threatened their influence. They burned people for their beliefs. They arrested and ridiculed, threatened and ostracized. They lied to and hypnotized the masses into controlled hysteria. They created "the civic eye", the daemon of conformity - that abstract, gnawing fear of being perceived as "different", hence possibly subversive, possibly dangerous - the fear of being expelled by society. And so they replaced the temporary fears of starvation or attack with the permanent, insidious anxiety of staying "acceptable to others" - as judged through every gesture of every day of one's life. Oh yes, anxiety fell like a thick fog over the village, and the thicker it got, the closer people huddled together, so that fewer and fewer had the courage left to stand by themselves or, God forbid, to venture beyond the walls. For there were theories by now, some better accepted than others, as to what lay beyond, and how we needed to prepare for that, and how long it should take, and even as to whether or not it made any sense to continue the journey, when we could in principle build a tall enough tower and gaze into the distance, or just extrapolate from what we've seen so far. And so they went on, classifying the theories and building the towers and sprinkling the show with a few arrests here and there, for the raising of the public morale - and all the while one could see, from the hills, the Western road fading out - fallen into disuse, eroded by sandstorms, strewn with abandoned starts and acts of despair... But still the hope, the legend remained. It wasn't until four centuries ago, when the Academy recorded it officially in its new encyclopedia, that people finally stopped to acknowledge and accept what should have long been obvious to all: the road leading out of the City, the road our ancestors discovered thousands of years ago, was gone. And if there was indeed a great ocean at the end of it, or any other such wonder, by now we had no possibility of proof left, except what was to be learnt from some old poems... The good thing in all of this, of course, was that by now no one had any interest left in them, for no one ever dreamed of leaving the Golden City again
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I am inside you now, and I am also on the shore... Looking in your eyes I see the tall dark waves, you wash in my surf and I am washed into the sand by you, I close my eyes and the sand between my teeth tastes like your hair and as I kiss you I find myself crying tears that I cannot say are from happiness or terror, for they are of both: the beauty of being now, here, this one thought of God - and then nothing. Nothing... My love, how I wish it it was not the sweetness of this moment, but the glory of that dizzying, eternal nothingness that I could share with you!... I look into your eyes, my love, and I can see the seeds of my destruction behind that thought which is not even conscious yet in you; I see the shadow of terror begin to rise and I know that soon this premonition, this dark presence you now barely feel will grow stronger, until you will recognize it and give it a name, and that on that day I will lose you forever. I cannot explain it to you, why this vision which is all beauty inside me will frighten you so, but I know now that there is nothing I can do to change that. I can feel it growing, I can feel the monster rising from the deep to swallow me, to become me - yet what I fear is not the moment of my deliverance, but its reflection - that terrifying mask of madness in your eyes.
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My body... my dream body... gate of joy and perdition, in whose shadow I sold my future for fragments of the past! ...I've died for this piece of amber, and for this garden I've stayed another year. These are the silks that have painted my existence on the canvas of our time, this is the lover whose caresses have punctuated and renewed my life like spring showers over thousands of other, forgettable caresses. This is my home - open to the sky and still so shaded, so intimate, as if built not from clay, but from the ashes of all the years gone by... this fortress, that took me half a century to cross - only to discover, on its threshold, that the morning which seemed to hold so many promises was already over, the horizon darkened, that it was far too late now... far too late to leave... And so I stayed... between the walls of red earth echoing with the fountain's rustle, the cold tile floors on which the light filtering in from the outside sometimes casts golden shadows that stir my childhood memories, between the statues, lost in the perfection of their stone thoughts, among the scents of my exotic night flowers and the voluptuous, color-dripping orgy of these silks whose mere touch bewitches my soul... And yes, among the dreams... they that visit me night after night - increasingly longer, more real-like... The strange dreams of the desert, in which the senses become sharper than ever, aching with desire and memory, thirsty to the point of agony, overpowering - oh, but through that hunger you know this is no ordinary hunger, not one that you can satisfy, not anymore - and that impossibility sears your mind like a cloud of fire... But it is only there, in that fire, in that devastating madness of regret, that you have ever felt the breath of redemption brush your cheek... and from that whisper of a presence began to hope again, and in that twilight hour of resignation and tenderness began to dream of another world, another life, another destiny... Yes, I have died to you, my friend, but do not reproach yourself, nor be angry with me... I am tired. I want to sleep... It is as simple as that.
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He went back into the desert that night., and fell down
into the sand, and stared out into the heaving darkness for a long, long time.
He was asking again, as always, the question had never changed - only perhaps
tonight there was more sadness and less hope to it, but he was here
nevertheless, because he had nothing left to believe in but his nakedness and
the childish earnestness of the question, and the purity of silence as he
waited. Indeed, it was in that naked, humble waiting, more than in any of the
answers he had ever fancied, that he felt closest to home. And tonight, perhaps
more than ever before, he needed the comfort of home. He asked. How did he ask? By breathing.
By closing his eyes. By not breathing. By the pain of it. He fell into the sand
and let go of his mind and let go of his heartbeat and his desire to breathe,
until all that he had been metamorphosed into this open shell exposing its raw,
silent, urgent need to the vast beauty of the ocean. This was what he wanted.
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Alone? Afraid? Uncertain of everything, including my own name? YES. ...But in this dark, deceptive night which is neither land nor water I sometimes hear others' voices - the echo of their solitude becoming my company, their fear becoming my strength, their unknowing becoming the one universal truth that can sustain each of us, giving us the name and the face which we keep forgetting.
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That afternoon he found himself again in the Church's womb, staring as if possessed at the old well beneath the great open dome, the well which had been the first foundation, the very reason of the ancient settlement - and the arch relic the church had been erected to protect. He stayed away from it, however, for tonight he felt weak and less sure of himself than usual, and he knew he had reason to avoid it - ...this bottomless well whose dark waters revealed the face of eternity, whispering to those who leaned over its edge one word alone: Loss. Yet something drew him irresistibly to it. He felt
compelled, not by fascination but rather by familiarity, by a strange and
horrible sense of intimacy with this monstrous thing that was breathing at the
bottom of the well; he feared it not with the clean fear with which one faces a
new enemy, but with the icy , secret terror that swells the dreams of one who
has exorcised his darkest demon: for the inner labyrinths of his being, once
carved by fear, will always be open and vulnerable to it. And it is there, in
the moist, forgotten solitude of darkness, it is there, if the beast ever
returns, that one will first, through the rumbling of stone and the wail of
echoes, be made aware of its presence. But then it will be too late to run or to
forget: one has to face and kill the beast, or turn and be killed by madness.
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You close your eyes to find yourself back inside the whale's womb. To feel the vertigo of depth as she dives into the present. The pressure of silence, of attention mounting inside, the reverberation of time forced to stop. You want to taste it, that pure silence, that pure being you believe is yourself. You dive with the whale and you know it to be the first Abyss, you know that there's a bottomlessness to your fall. You fall, and you know that whatever remains, whatever this is, there is nothing untrue left about it. It is the last syllable of your name, the last breath of love and wonder in your heart, and your naked body becomes taut with the shock of infinity as you submerge it into the baptism of the Present. But why is it that we identify with this nakedness alone, that we so easily denounce the web of dreams that cloaks us as Other, worthless, illusory? The present is a window on infinity, but the house it opens out of is built of past and future alone. We breathe through the knowledge that the present exists, but our contours are carved into the substance of memory. We are defined by memory. Hence we are defined by loss. Venice was once a woman I held in my arms and now she lies in the stone at the base of the great Western wall. She is now dust, dispersed by the wind toward a thousand horizons, parts of her carelessly built into houses and statues and bridges by people who never knew her as other than dust. The oblivion that is worse than oblivion. The relentless march of history over what so rapidly becomes nameless, faceless, meaningless. She was my life, we looked out the window and touched the same sun as we embraced... What is the meaning of that now? What does it matter that a hundred years have passed since, or a thousand, or five thousand? She gets further away from me with every sunset, with every man that is born not knowing her name - yet the growing distance is not a measure of detachment, but one of despair. Or perhaps madness. For how can I grasp all that has happened between that glimpse of eternity and this one, and remain sane?
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"Neti, neti, I am naked, look at me!" he
screamed. "Neti, neti, I am transparent, look at me!" he danced and
sang beneath the stars. "No more pain, no more love, no more desire, no
more fear, no more self! No more birth and death, no more coming and going, no
more becoming! No more yesterday and tomorrow! No more anguish, no more
searching - no more self!"
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How do you scatter the petals of the lily, when your own
hand has the whiteness of snow? But the meaning you attribute to them, this meaning of love, is nothing but one moment's metaphor, one way for consciousness to shine through the world's crystal, one arbitrary angle out of an infinite whirlwind of possibilities. Why do you cling to it, my stranger, my brother? What is this form to you, that you always return to it, from no matter how far and no matter how late?
What will happen to the Objects? And to the light of all
our pagan love, the light of this immense error in which we have baptized every
contour, and every shadow ever cast by it in our memory?
How do you cure the steel with which you know one day you'll break the chains of love? I look into your eyes, Matter, to drink from them the incandescence of form, and on the edge of that abyss from which it emerges, to lose myself in the vertigo of creation; and I can feel the flame of this desire growing inside me, like a blind bridge cast toward still unborn shores, I can feel it rising higher and higher, burning its own impotence, deafening Heaven with the breath of this necessity, this silent prayer - that in the annihilation of love be born the spark which will enlighten eternity.
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Liberation. But what is the measure of man, if not courage - no matter
how crazy and painful a choice it forces one to make?! I lived in a dream until
now: very well, I could go on living in a dream. I gathered the sweetness of
life and enjoyed it, and the praises I sang to it were then turned into delight
for others - we ate of it until we became full, and then we slept it off, and
ate again. So sweetness begets sweetness, and men never get close to the end of
the meal - but life can be lived in that way, and I could have chosen to do it.
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Yesterday, for the first time, I saw the City from outside the gates: I saw the great Clock toppled in the middle of the square, its face already sinking into the sand; I saw the frescoes lining the exterior walls of the University lose their brilliance under the ruthless light of the mid-day sun, then fade away like ghosts confronted by a higher Reason.... I saw the names wash off their funeral stones and the stones themselves melt to form an obelisk whose top was lost among the clouds, like an endless chain of prayers, or perhaps the propagation of a single, unanswered longing... The City was turning before my eyes - turning into its own epitaph, and into a knowledge for which I had no language - yet. Would there be a language for what lay ahead?
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"I lay down one night, beside a gray dune, and I said
to myself: I will not open my eyes again. There is nothing left for me to see. I
am tired of the world, I am tired of my dreams and illusions, I don't want to
want any more.
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The ego propagating itself forward, trying to built
statues every step of the way... For as we get closer, the gentle expectation projected by our mind begins to change form, and breathe, and loom and there we have the first foreboding that Truth is not, perhaps, like other constructs of the human mind, that it does not behave like the objects we were used to deal with. Go further, and the creature begins to stir - and then a fragmentary glimpse makes us freeze, as we begin to intuit the monster's possible dimensions. Go further - an ominously impersonal, mind-darkening panic begins to rise like an overcast sky, winds of terrible loneliness and apprehension start to blow and you can't help but wonder where you are and why you ever wanted to come here. Go further - and the black storms begin to pull you in with a strength which is no longer that of reason, but that of a physical, mechanical phenomenon superseding and acting not on your mind, or at least not the analytical mind you know, but on something within you you never knew existed: the pull of an immense gravitation sucking you in, flattening your knowledge of the world to an irrelevant, unidimensional line, distorting all perception - Truth: not something to be eaten by the mind, but that to which the mind must offer itself as sacrifice. Is it suicide? Does something survive? I don't know. But one must be prepared to take that leap, to look at Truth thus, with his whole being; for as long as there is fear, holding back, as long as man possesses a mind an is not that mind, truth will remain representation - an imperfect series of crumbling statues, crumbling solutions wherever man decided to stop in his search and declare: "Now I know!" To really know is to be.
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To understand freedom, you must understand the immensity of this fall. Long before it is over, he has lost all refuge, all illusion, all hope... He is naked and empty, more so than even before he was born, for the body itself will have slipped off like a dead skin. He is alone - past any recollection of humanity, past being able to even imagine it any more. And into this aloneness he keeps diving, fascinated by his own fear, by the immensity of this damnation that continues to open before him, beyond his most daring dreams, beyond his worst nightmares, a space that is boundlessly, relentlessly, deliriously generating itself around him, blooming from the ashes of he who sacrificed everything like a flower of the unknown... that unknown which is his last refuge.
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The gilded bricks have reached the bottom of the knapsack, and their sharp edges are now scoring my back with every step I take. The foot sinks to the ankle into the soft sand that started covering the road two days ago. Judging by the sun, it's getting close to noon - time to find shelter and stop. But even so, lying down during the day and walking after dusk, the scorching wind of the desert hurts my lungs with every breath. My face has become dry like touchwood, immovable, and the skin seems to tear every time I open my mouth to sip a few drops of water. (Fortunately, that will soon become unnecessary: the flask is almost empty.) Ha! An image flashes before my lunatic gaze - of an old wretch and myself basking in the ruby glimmer of a thousand goblets of wine, and the words which danced like bewitching metaphors beneath the safe, star-studded frescoes of the inn's vaults: "The laws of devastation and of death you will know, the fierce flame of contempt and the monstrous hole that gapes at night in the desert sky, and the vertigo on the edge of Being, and the tears mixed with laughter and that collapse, over and over, in the white sands of oblivion and, above all these - the thirst... the thirst that will come back with every morning's awakening, unsatisfied, undying, blind like a torrent, stronger than your self-pity, more ruthless than your exhaustion, more terrifying than your fear of what lies ahead..." But who knew, then, that words could do all this to one's body? I lie on my back, and through the thin crack of the
eyelids the sky's blue vastness pours over into me like a falling ocean, and the
thirst dies off without me even realizing it - although the coolness of these
waters, shimmering calmly within an arm's length, my lips can never know...
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Yesterday at dusk I saw something... Something very small moving along the horizon. Yesterday at dusk I saw that thing, you hear me, you cursed Mara - I saw that point moving imperceptibly over your sands aflame, over your blistering red clay stretching endlessly like the ossuary of an eternity of hopelessness - I watched him push forward, at the same pace with mine, stumbling, getting up, advancing immeasurably slowly toward your immense sun that was sinking below us... and then, only for a few moments, I saw his giant shadow cast on the indigo sky. I saw the shadows of the tears on his cheeks, and the colossal hands, burned and beaten, sweeping exhaustedly over the sky of the desert, from east to west and back, like a pendulum cast outside of history, I felt his blinded gaze over which the lids need not close anymore, the eyes into which the sun has reflected already for much longer than his most distant memory - and at that moment I called out to him, feeling that my heart was turning to ash as I began to understand, I called out his name in the name of all that is wonder and death on this earth - this only love of mine, whose tears I gathered in the shadow of my own hand... and whom I had to watch vanish, moments later, when the sky filled up with stars and the cold wind which makes their light flicker rose up from the bowels of the desert, one more time... My flask is empty now, but that doesn't matter anymore. ...Remember that story I told you long ago, about the man who woke up one morning to discover that he no longer was casting a shadow - the man who had lost his skin?... I lied to you... His wife left him and yes, he did go mad at the end of his solitude... Still, it wasn't the absence of another' hand that did it - but the fact that this touch couldn't be received anymore.
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Something terrible is happening around me for the last few
days. There are no more shadows. Rocks, shrubs, even the great sand dunes -
everything I pass by is shadowless, as if submerged in an eternal noontide...
The wind has stopped, there is over everything a new silence, blind and ominous
like a plague. My steps are muffled. The only sound I can hear is that of my
heart - every beat a little louder, a little slower, crushing something bitter
against my chest and spilling it into my veins - an unspoken, mind-numbing,
eye-darkening doubt. ...Yesterday the sun didn't go down any more. Oh, I would like it to rain and I know that from here on it will never rain again, that the solitude of the desert is more forbidding than any other, and that in this endless noon into which I sink deeper and deeper there will be no more shadow or night for the man fallen behind, only the acceleration of this imminent unfolding and the silent nightmares of the desert devouring its fear of itself!...
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The sky is scorching blue, an unforgiving thought etched on my retina, hissing like smoldering fire in my ears, burning my guts into the ash of abstraction - relentless terrifying unsurpassable transparent heartless desire: the neurosis of freedom. The desert is all around me and I am paralyzed. The thirst is in me, the thirst of that revolt which brought me here - but instead of running toward the water, I lie here and let it consume me... I can't move - caught like an insect in the flowing amber of days whose passing has no meaning any longer - for it all now is Brahma's day and I carry the taste of infinity on the grains of sand between my lips... I have seen the end... and I have no desire to go any further. The urgency is gone.
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There is no greater expression of courage or defiance than crossing the desert. That is because this is also, lucidly, the last expression: it is a process of self-combustion. And in that process there comes a moment when what had to burn is all gone - and you realize these were your bridges behind you; but there are no bridges ahead: the fire continues to burn as if on empty, out of inertia, casting into the Unknown nothing but the shadows of your old, deposed demons. There is nothing but your bare self left - a better, purified, nearly "saintly" self - so saintly, in fact, that it can't even resurrect the memory of desire for that brief moment necessary to take the final step - out of the game. That is where faith - whatever it means - must make itself felt: to replace, for that crucial instant, the lost mechanism of desire. Without it, one is lost and his bones will never leave this desolate, in-between place...
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I know where Fear begins.
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The terror of watching yourself become sea again - for
there is a terror not just of losing but of receiving too, and one must be able
to bear the heart of the universe if one has sold one's soul in exchange. One
must have the strength not only to escape Mara, but to swallow the tiger, to
know it within oneself - that great potential of creation, the golden, luminous
form of this fierce desire - yet never again release it into the light.
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He had a dream that night, a dream about a lake and two cathedrals. The first was a fantastic vision of granite and stained glass, rising so tall its spires were lost among the clouds, while its vast inner spaces sheltered all of man's greatest works of art - from the colossal stone bulls of ancient Assyria, to Bach's Vergnugte Ruh, to the golden skyline of his beloved Venice and the shattering translucent blue figures of Klee and Chagall... And as he wandered beneath its glorious, dazzling vaults, his heart filled with pride at the skill and dedication of his brothers, and he thought to himself: "If it were written that man should perish today, I could not find reason to weep - for not one single stone is missing from his masterpiece"... Then he found himself on the outside, standing upon the lakeshore, staring down at a second cathedral: at the water's edge the image split into two, and an inconceivable dream of pure, transparent geometry opened like a window into the mind of God - a dizzying vision of pure structure and self-generating laws, the birth of illusion as layer upon layer this blooming complexity folded back on itself... yet while the yearning and intelligence of Form shimmered like a kaleidoscope from every angle, one searched in vain for recognizable details, shapes or colors... A cathedral of emptiness, perpetuating across the millennia that inner work of purification and self-discovery - the deconstruction of the Ego... A cathedral of emptiness - so that, in a world become transparent, that truth shining at the heart of all Manifest would reflect freely and consciously from every angle of Creation, in a vision of such glory and beauty that no mind alone could comprehend... As he approached, he saw a river entering the great gates of the cathedral, then flowing out through the reflection of its open dome - flowing out into a bottomless abyss filled with stars... He came even closer, and then saw images begin to emerge within the cathedral of emptiness - devoid of substance, like ghosts, yet so painfully close that he could read the trace of every tear over their faces... He saw it all as if through a magnifying crystal - so many lives rising out of the darkness, the aspirations of men taking shape into cities and monuments, reaching skyward like colossal arms of stone... He looked upstream - and in the water's turbulent, impatient surface he saw fragments, the foreshadowing of those lives and cities... then he looked down, there where the river found its exit from the cathedral - and he saw the cities' outlines beginning to twist and tear, the lives that had burned with love and passion turn into icy memories - and all of these forms, carried over the edge of the abyss, shatter into countless pieces, whose light flickered briefly like that of dying embers, then vanished forever together with the name they once held - that day when they passed through the gates of Meaning... In that darkness he saw his past desires, he saw them burn like golden tears, and in their light he saw the entire world reflected in a shimmering, unreal beauty, rising up to him like a final and desperate plea... And then it was over, as they sled beyond the limits of the Possible, along the path of that asymptotic fall... He was to see them forever now as they continued to fall, ever further, ever fainter and yet forever there, in that direction - and now he understood that the savage pain which was crushing his heart was not due to the unrealization of those desires, but precisely to their passing into illusion. And then he felt such despair that, without thinking, he thrust himself over the edge of the precipice, in a hopeless attempt to stop this deadly hemorrhaging, to save the world he knew and loved beyond all promise of salvation... He fell, and knew this to be the end, and then laughed with relief as he heard the great roar of the ocean beneath him... He fell and fell, deafened by the wind of this endless present, barely hanging unto himself as the acceleration ripped him apart, he fell breathlessly into the void of this ruthless knowledge, like an Imminence that could no longer be postponed, a collapse without break toward the center of this wisdom he had sought across the hundreds of thousands of lives through which he had made his ascent - and which was at last receiving him into her bosom, granting his destruction with the same passion with which it had once created and cast him into the world... And then, as he took leave of his name and readied his heart for the embrace of the ocean, one last question flashed before his mind: he had grasped the blueprint of the universe for only one instant before it started to collapse under its own gravitation - how could the world exist then? What force could counteract the pull of this tremendous Knowledge and sustain the blooming illusion in all its radiance and glory? With that, he found himself back on the edge - and he woke up.
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There will never be an answer. There will never be something to bring back from the edge of the world and place it in your hands like a loving son, that miraculous flower I had wanted for so long to be able to bring you. My parents, my child, I look behind and see the murky night shadows of history drawing near upon you, I see you groping and falling, afraid, calling out for that light which your heart always felt would be revealed to you when the time came - yet despite my sorrow and anguish I cannot reach you: I do not have a sword, a weapon to cast across the desert and help you dispel the darkness - for there is no such weapon. There will never be an answer... And yet - what a roar there will be! For a stone exists too, but only man can understand the repercussions of that existence; and among men, of all those who have seen a sunrise, how many have really felt it? But I am talking to you now of the equivalent of a billion sunrises in every grain of earth - such is the imperative of Creation - and a night heavy with the scents and shadows of every garden that ever existed - such is the mystery that pervades this entire creation.
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The Abyss is man's deepest dimension. And it's not an answer. It's not a vision, not a theological solution or a cosmogony. It's not "the end of the road", or even the eternal peace of nibbana. For what one seeks, over and above such "solutions", what one longs to understand, beyond all reason and hope, is simply this: the pathos of being alive. The taste of the earth. The resonance through eternity of having been alive once, of having experienced creation and wonder and longing and death. The taste of having stood, for one instant only, alone and silent in the face of infinity. And the compassion for all things which, like you, have stood there since history began. The taste of being alive... Of living as if come back from the other side, of arid and vast and cold splendor - the neverending desert night... Trying to find, in life, that subtle quiver of the air, the prescient breath of the great nostalgia that is to come... To reach and hold and touch, before that becomes the impossible and unending obsession which will haunt you for all eternity, as you become trapped by your ultimate wisdom at the center of the great Hologram...
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That night I walked to the edge of the ocean and stood before it until dawn, trying to comprehend for the first time this simple truth: that Memory can only be explored as a matter of angles, and hence that no Soul shall ever know itself other than peripherally, through broken shoreline and eroded, cast-away shards. What I am, what I know, is all that is knowable from the shore: a name, a dryness in the back of the throat, the shadow growing longer beneath the setting sun. To go beyond that, to begin to truly Remember, there is only one way: away from the sands' recorded history, and into the ever-shifting hologram of emotions, impressions and dreams our hearts weave beneath the surface of conscious thought. Does that mean, then, that to become truer to itself the soul must learn to forget more, learn to watch the exquisite detail of its creations blur into a haze of intersecting memories and parallel stories: the Mind become transparent, free - one being, one heart alone from one end of time to the other?... Man's history is but a journey across a desolate expanse of beauty and nostalgia: the beauty of the temples we erect - hope, freedom, aspiration; the nostalgia of the imminent decay we know to be contained within them... For one has not experienced the greatest dimension of love until the object of that love is irreversibly lost. Real love does not exist in the present - that is merely a point-like projection - but only as aspiration or memory. All that is human in us is about loss: the emergence of meaning in a sea of impermanence, and the wake of its dissipation... Ours is the ability to create it, to make something Exist in this eternal garden of shifting sand: love creates ripples across its placid expanse, and the sand becomes stone for a while. But at what cost? Is there another way to cross this desert? Another way it can be understood? Perhaps. But how would we know it, other than through the reverberations we carry in our bones? How could we ever tell that they are not merely the echo of this howling wind, the mirage of the shimmering horizons? One looks for meaning? No: one looks for purpose, above all. An insomnia that lasts a hundred years is a maddening prospect unless one finds a way to imagine dreams and dream himself asleep. But underneath all the colors and movement, at the bottom of all that is Formed, the Being lies awake, its eyes wide open... Whatever it sees, in that deafening confrontation with emptiness - that shiver of lucidity is the only instant we have ever known Truth. All that ever was will never die: it is there for eternity, retrievable in the implicate order of Memory, and part of our transcendence is to learn how to find it. To move toward what we are is to recognize that we have crossed the high plains of Reality from thousands of directions, under a thousand guises - that we are, each, much more than one journey: we're the very heart of the storm that has been sweeping this desert from the beginning of time...
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